Biography

Dr. Christiane Wagner (Germany)1 has been a visiting research professor at the University of São Paulo (USP) and, has also been developing a research project at the Contemporary Art Museum of the University of São Paulo (MAC USP) since 2019. She was a visiting research professor of Aesthetics and Science of Communication, UNICAMP (Fellowship CAPES 2014–2018, Habilitation, venia legendi). Both universities (USP and UNICAMP) are ranked as the best universities in Latin America. She was awarded a doctoral degree in Germany in Sciences of Art and Aesthetics (Promotion, 2014), recognized by the Hessian Ministry of Science and Art (Anabin). She has a PhD in Sciences of Art and Aesthetics from Université Paris 1 Panthéon-Sorbonne (magna cum laude), with a thesis titled “Aesthetics: Contemporary Image. Analysis of the Concept Innovation” (published by Blick in 2013, and by Paf in 2014) and a PhD in Design and Architecture (with honors); and a master’s degree in Science of Communication (with honors) from the University of São Paulo, with a dissertation titled “In Art: Invention and Artifice” (published by Blücher in 2009). Her dissertations for her USP master’s degree, USP architecture and design PhD, and Sorbonne aesthetics and sciences of art PhD were each nominated for book publication by the respective examining boards. Upon her graduation, she attended the Academy of Visual Arts in Frankfurt, and later, in São Paulo, she majored in industrial design at the School of Fine Arts (Bachelor of Arts degree first-class honors, 2003). In Berlin, she was awarded the Art Campaign Award, Neumann & Müller, 2006. She gave lectures and participated in panel discussions on Aesthetics and Science of Communication at the Stuttgart State Academy of Art and Design, Germany, and ACTE Institute, Æsthetica, Art et Philosophy, Université Paris 1 Panthéon-Sorbonne.

Christiane Wagner is the editor-in-chief, founder, and creative director of Art Style, Art & Culture International Magazine and a member of the College Art Association of America in New York, NY. Also, she collaborates as a member of the Society for Interdisciplinary Image Science (Gesellschaft für interdisziplinäre Bildwissenschaft e.V.) in Germany. Since 2018, Christiane Wagner has been editor of the Visual Sociology Research Committee and an executive board member of the Research Committee on Sociology of Communication, Knowledge and Culture—both are research committees at the International Sociological Association. She is a member of the International Visual Sociology Association (IVSA), a scientific advisor of the research foundation FAPESP, an associate editor of the culture magazine Revista Cultura e Extensão USP of the University of São Paulo, and a scientific committee member of Center for Open Access in Science (COAS). She is also active in the German, French, European, and International Aesthetics Associations and many international conferences.

Languages:  German, English, French, Portuguese, and Spanish.

For more detailed information, click on curriculum vitae and publication list (each of these two links is available for download).

Relevant Recent Publications

(2016) Aesthetic Experience: Visual Culture as the Masterpiece of Nonhumanity. [Peer reviewed article written in English] On_Culture: The Open Journal for the Study of Culture 2, Germany: Justus-Liebig-Universität Gießen, 1-12.

(2016) Art and Reality (Arte e realidade). Peer reviewed article written in Portuguese and published by Revista de Cultura e Extensão USP, University of São Paulo.

(2016) Artworks of the New World (Kunstwerke der Neuen Welt). Book written in German and published by Grin.

(2016) Kitsch, Aesthetics Reminiscences and Jeff Koons (Kitsch, Reminiscências Estéticas e Jeff Koons). Peer reviewed article written in Portuguese and published by Revista Visuais, Institute of Art, UNICAMP.

(2017) Poïésis: Between Reason and Sensibility. The New Mediums of Art (Poïésis: entre la raison et la sensibilité. Les nouveaux médiums de l’art). [Peer reviewed article written in French] Paper presented at the Third ISA World Forum Vienna (2016) and Article published in France, Toulouse: French Journal for Media Research, 7/2017 Mises en scène du politique contemporain/Theatricalization of the Contemporary Politics, 17 – 40.

(2017) Visual Narratives: Image and Consciousness of Social Reality. [Peer reviewed article written in English] Center for Open Access in Science – COAS. Open Journal for Sociological Studies, OJSS, 1(2), (December 15) 73-82.

(2017) Urban Aesthetics: Philosophical and Social Aspects of Metropolitan Beauty and its Reverse (Estética Urbana: aspectos filosóficos e sociais da beleza metropolitana e seu reverso). Book written in Portuguese and published by NEA.

(2018) Rationality: Beyond Aesthetics and Communication. [Peer reviewed article written in English] Proceedings book of 1st International e-Conferenceon Studies in Humanities and Social Sciences. Center for Open Access in Science – COAS, 1-12.

(2018) Preliminary Reflections on Art and Society (Reflexões preliminaries sobre arte e sociedade). Peer reviewed article written in Portuguese and published by Revista de Cultura e Extensão USP, University of São Paulo.

(2018) What Matters in Contemporary Art? A Brief Statement on the Analysis and Evaluation of Works of Art. [Article written in English] Art Style, Art & Culture International Magazine, v. 1, 68-82.

(2018) Art and Perfect Illusion: From Architecture to Cinema. On the Era of Technological Convergence [Peer reviewed book Chapter written in English] In: Image Evolution. Technological Transformations of Visual Media Culture. Yearbook of Moving Image Studies. Edited by Lars C. Grabbe, Patrick Rupert-Kruse and Norbert M. Schmitz. Germany, Marburg: Büchner-Verlag, 34-57.

(2019) Aesthetic and Social Values of Bauhaus. [Article written in English] In: Art Style, Art & Culture International Magazine, no. 2 (June 3, 2019): 71-82.

(2019) To What Extent is Bauhaus Even Possible Nowadays? Interview with Bernhard E. Bürdek, author of the book Design: History, Theory, and Practice of Product Design, In: Art Style, Art & Culture International Magazine, no. 2 (June 3, 2019): 85-91.

(2019) Visual Arts and Empirical Aesthetics: Designing the Technical Aspects of Art. [Article written in English] Art Style Art & Culture International Magazine, v. 2, 93-114.

(2019) Artworks and the Paradoxes of the Media-Transmitted Reality. [Peer reviewed article written in English] It’s a result of my participation at the International Congress of Aesthetics this year. The conference presentation and full text were published in the proceedings book. After a selection was made, the editorial board of [Art + Media] AM Journal of Art and Media Studies also decided to publish this article, 71– 85.

(2019) Aesthetics and Cultural Aspects of Bauhaus Towards a New Conception. [Peer reviewed article written in English]. This article is a result of my participation at the International Congress of Aesthetics this year. The conference presentation and full text were published in the proceedings book of the 21st International Congress of Aesthetics. After a selection was made, the editorial board of Serbian Architectural Journal also decided to publish this article in the volume 11, of this journal, 463-472.

(2020) Art, Culture, and Communication Technologies in the Face of Global Crisis (Arte, cultura e tecnologias de comunicação em face da crise mundial), Essay written in Portuguese and published by Revista H&C.

(2020) The Cupola: for an Aesthetic and Dominant Structure of the Society (La coupole : pour une structure esthétique et dominante de la société). Book written in French and published by Grin.

(2020) The Democratization of Art. Media and the Art of Publishing on Art. [Article written in English] New York/São Paulo: Art Style, Art & Culture International Magazine, v. 5, 49-60.

(2020) Design: New Ideas, Sustainability, and Aesthetic-Social Aspects. (Design: novas ideais, sustentabilidade e aspectos estético-sociais), Essay written in Portuguese and published by Revista H&C.

(2020) Challenges: Reason and Reality. “Can Advances in Science end Philosophy?” Critical Review written in Portuguese and published on the homepage of the Research Group on Intelligence Technologies and Digital Design, coordinated by Professor Winfried Nöth.

(2020) The Postmodern Avatar. The Changing World of the Arts and Jeff Koons. [Article written in English] Art Style, Art & Culture International Magazine, no. 6 (September 9, 2020): 123-142.

(2020) The Art of Design: Seeking the Beautiful and Good Form (A arte do design: a busca pela bela e boa forma). Essay written in Portuguese and published by Revista H&C.

(2020) A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics. A critical review written in English and published by Visual Studies Journal, Routledge, Taylor & Francis Group, Volume 36.

(2020) City and Challenges: Projection and Perception of Time-Space and Digital Solutions (Cidade e desafios. Projeção e percepção do tempo-espaço e soluções digitais). Peer reviewed article written in Portuguese and published by the Journal of University of São Paulo (Jornal da USP).

(2021) Visual Communication and Media. Transformation processes of the global metropolitan rhythm (Visuelle Kommunikation und Medien. Transformationsprozesse des globalen metropolitanen Rhythmus) Peer reviewed paper written in German [Workshop Proceedings]. Interdisziplinärer Workshop “New Tools for Old Problems.” IZdigital, Interdisziplinäres Zentrum für Digitale Geistes- und Sozialwissenschaften, Institut für Kunstgeschichte, FAU-Friedrich-Alexander-Universität Erlangen-Nürnberg.

(2021) Image and Digital Media: The Concept of Mediated Reality [Peer reviewed book chapter written in English that has been accepted for publication after anonymous peer review], in: Yearbook of Moving Image Studies, Trilogy of Synthetic Realities I: Virtual Images. Edited by Lars C. Grabbe, Patrick Rupert-Kruse and Norbert M. Schmitz. Germany, Marburg: Büchner-Verlag.

(2021) Media and Digital Interface: Designing Learning Spaces and Knowledge. [Peer reviewed article written in English and accepted for publication], in TEACHING-LEARNING-RESEARCH: DESIGN AND ENVIRONMENTS, Manchester School of Architecture, University of Manchester, December 02-04, 2020. Routledge | UCL Press.

(2021) Is the ideal of Beauty at risk in contemporary art? The aesthetic experience under the effect of the media (L’idéal du Beau est-il en risque dans l’art contemporain ? L’expérience esthétique sous l’effet des médias). Peer reviewed article written in French and accepted for publication. Centre d’Études et de Recherches en Esthétique et Arts Plastiques, « Les risques de l’art » Revue Recherches en Esthétique n° 27.

(2021) Arts and Democracy at Stake (Artes e democracia em questão). Peer reviewed article written in Portuguese and published by the Journal of University of São Paulo (Jornal da USP).


Relevant Recent and Upcoming International Conference Participations and Talks

(2016) Poïésis: entre la raison et la sensibilité. Les nouveaux médiums de l’art. Third ISA Forum. ISA-RC14. University of Vienna, Austria, July 10-14.

(2017) Technology and Science as Fiction Narratives and Their Socio-Political Issues. 13th ESA Conference. Media Narratives RN18: Social Realities and Media in Society, Politics and Culture, Athens. (Un)Making Europe: Capitalism, Solidarities, Subjectivities. Athens, Greece, August, 29-31.

(2018) Critique des médias vers une réalité incisive: le pouvoir et la perception de la violence. XIX ISA World Congress, ISA-RC14. Analyser le pouvoir et la violence dans les médias et les organisations. Toronto, Canada, July 15-21.

(2018) Power as Control: the Use of Technologies of Communication. XIX ISA World Congress. ISA-RC14. Globalization, New Media and the Culture of Real Virtuality: Emerging Patterns. Toronto, Canada, July 15-21.

(2019) Aesthetics of Media and Post-media Practices. Artworks and the Paradoxes of the Media-transmitted Reality. ICA 2019 Belgrade: 21st International Congress of Aesthetics. Paper number: PS10.002. University of Belgrade – Faculty of Architecture. Belgrade, Serbia, July 22-26 [Presentation and I also was the moderator for the panel Aesthetics of Media and Post-media Practices].

(2019) Aesthetics of Architecture. Aesthetics and Cultural Aspects of Bauhaus Towards a New Conception. ICA 2019 Belgrade: 21st International Congress of Aesthetics. Paper number: PS15.005. University of Belgrade – Faculty of Architecture. Belgrade, Serbia, July 22-26.

(2020) Art as a Source of Solidarity. [Presentation] International Web-Workshop. Impact of COVID-19 on Society & Culture, DAV Post Graduate College, Varanasi, India, April 29 – May 3, 2020 . 

(2020) Lecture on Urban Aesthetics: Cities, Cultural Heritage of Humanity as part of the discipline “Heritage Interpretation: Museum, Culture and Society” at the Contemporary Art Museum of the University of São Paulo (MAC USP), on September 30, 2020.

(2020) Lecture on Modern Masters, as part of the discipline “Musical Iconography and the Relationship between Music and Visual Arts in Contemporaneity” at the Contemporary Art Museum of the University of São Paulo (MAC USP), on September 16.

(2020) Media and Digital Interface: Designing Learning Spaces and Knowledge. [Presentation] TEACHING-LEARNING-RESEARCH: DESIGN AND ENVIRONMENTS, Manchester School of Architecture, University of Manchester, 02-04 December, 2020.

(2021) Visuelle Kommunikation und Medien. Transformationsprozesse des globalen metropolitanen Rhythmus. [Presentation] Interdisziplinärer Workshop “New Tools for Old Problems.” IZdigital, Interdisziplinäres Zentrum für Digitale Geistes- und Sozialwissenschaften, Institut für Kunstgeschichte, FAU-Friedrich-Alexander-Universität Erlangen-Nürnberg.

(2021) Environmental Aesthetics and Socio-Territorial Conflicts throughout Media. [Session organizer and Chair] Research Committee: ISA RC14 (host committee). Session to IV International ISA Forum. Porto Alegre, February 23–27, 2021.

(2021) Inequality, as a Fact and a Permanent Image of Investigation. [Session organizer and Chair] Research Committee: ISA-RC57 (host committee). Session to IV International ISA Forum. Porto Alegre, February 23–27, 2021.

(2021) The Visual Claim through Images of Children. [Presentation] Research Committee: ISA-RC57 (host committee). Session: Visualities of Childhoods – Images of Innocence, Vulnerability, and Inequality. Research Committee: ISA-RC57 (host committee). Visualities of Childhoods – Images of Innocence, Vulnerability, and Inequality. Session Organizers: Lars Alberth, Leuphana University Lüneburg and Gary Bratchford, The University of Central Lancashire. Session to IV International ISA Forum. Porto Alegre, February 23–27, 2021.

(2021) Challenges to Investigating the Image of Social Inequality as Fact. [Presentation] Research Committee: ISA-RC57 (host committee). Session: Visualising Uneven Distributions of Power. Session Organizers: Gary Bratchford, The University of Central Lancashire and Ruthie Ginsburg, Beit Berl College. Session to IV International ISA Forum. Porto Alegre, February 23–27, 2021.

(2021) The Arts: Conscious Creativity and the Power to Inspire Change at the Horasis Visions Community Extraordinary Meeting [Session organizer and Chair]. Virtual Event, March 18, 2021. Panel subject: Artistic expression has always made suggestions about the future: and has inspired us to cut the wonton waste of environmental resources to develop products, services and concepts for the collective interest. How can we use the arts to change the world for the better? What are the key issues that can be affected through the creative medium?

(2021) Artistic, Cultural, and Political Interdependence: Cities in Motion Facing the Challenges of Technological Advances [Presentation]. Conference: CITIES IN A CHANGING WORLD: QUESTIONS OF CULTURE, CLIMATE AND DESIGN. The City University of New York (CUNY), New York City College of Technology (City Tech), New York, June 16-18, 2021.

(2021) Fragments in Connection and Algorithmic Rule: Encoding the Urban Image in Motion. [Presentation] Conference: Urban Assemblage : The City as Architecture, Media, AI and Big Data. University of Hertfordshire, London, June 28-30, 2021

Overall Academic Factors

Complete works published, see Web of Science ResearcherID: T-9766-2017 and ORCiD 0000-0002-3445-1446 (books, peer-reviewed articles, essays, and proceedings of international conferences) or PUBLICATION LIST.

Note:

1. Academic degrees and some professional titles are protected by law in Germany. In this respect, the use of degrees acquired abroad is also regulated by law. My legally obtained French-language doctoral degree from Université Paris 1 Panthéon-Sorbonne (Diplôme National de Docteur en Esthétique et Sciences de L’Art, mention très honorable) was authorized in the abbreviated form “Dr.” (Doktorat) to be registered in my German identity document (Dr. Christiane Wagner) since 2014. That evaluation was made by the Central Office for Foreign Education in The Secretariat of the Standing Conference of the Ministers of Education and Cultural Affairs of the Federal Republic of Germany (das “Diplôme de Docteur” entspricht einer deutschen Promotion und kann daher auch in der Form “Dr.” ohne Herkunftsangabe geführt werden).

Research Network & Social Media: for more information about my publications, please click on the links: Research Gate Profile | Academia Profile | Web of Science ResearcherID: T-9766-2017

screenshot-2021-06-08-at-17.59.43